11 July 2020Art Blogs
11 July 2020
11 July 2020
Artists:Martin SÃ¦ther, Clemence de La Tour du Pin, Mikael Ãye Hegnar, Jennie Hagevik Bringaker
Venue: Femtensesse, Oslo
Exhibition Title: Upstairs
Date: June 6 â August 29, 2020
Full gallery of images, press release and link available after the jump.
Images courtesy of Femtensesse, Oslo
In December 1938 you would find the menu from the popular restaurant Tranen in Waldemar Thranes gate 70 in Oslo when flipping through the newspaper Aftenposten: Excelsior soup, a portion of merling, crackly ham with turnip and plum porridge, followed by information on the Dining hall for women on the second floor. This building, where Tranen still occupies the ground floor, was purpose-built as a home for self-supporting women in 1921 and apparently, a food lift brought dishes ordered from the restaurant to the ladyâs dining room upstairs.
In June 2020, enlarged posters of ClÃ©mence de La Tour du Pinsâ watercolor series, Window Studies, are displayed on advertising boards outside Tranen. From here, her works serve as small gestures to anyone who meanders the streets of the city and, as the plum porridge in the Tranen menu, they are a temptation to enter the building. Femtensesse is proud to present its inaugural exhibition Upstairs in Ila Pens- jonat featuring works by Jennie Hagevik Bringaker, Mikael Ãye Hegnar, ClÃ©mence de La Tour du Pin and Martin SÃ¦ther.
And now in the heat of summer the wind sent its spies about the house again. Flies wove a web in the sunny room; weeds that had grown close to the glass in the night tapped methodically at the window pane.
â Virginia Woolf, To the Lighthouse, 1927
In Woolfâs novel plants, birds and mold find their way into an abandoned summer house. This fertile and ruthless nature, seemingly unstoppable in its cold pursuit to claim the house, has inspired this exhibition to establish its place within the historical building.
De La Tour du Pinsâ window studies, inspired by Brooklyn Brownstone houses from the 1920s, reappear in actual size and in multiple versions within the neo-baroque interiors of the building. The papier mÃ¢chÃ© castings by SÃ¦ther are climbing the walls of the same room. The uneven surface of his large relief reflects the wallpaper of the interiors it inhabits, which was glued on to the walls in the 1980âs when burlap was in vogue. Higher up, above the lilac chair rail that runs through the room in the former ladies dining hall, Hegnarâs wax monotypes are framed in tailored marbled passepartout, through which captivating landscapes come into view. Across the floor of the dining hall, Bringakerâs series of female clay figures coated in car paint are spread out, divinely inhabiting the space, except for one firmly placed under the summer sky in the secluded back yard of Ila Pensjonat.
Jennie Hagevik Bringaker (born 1978, Oslo) lives and works in StrÃ¸mmen. She received her MFA in Studio Art from New York University. Recent exhibitions include Â«Human TouchÂ», Tegnetriennalen, Kunstnernes Hus; Â«Rostockgata Skulptur- parkÂ», Kunsthall Oslo, Oslo; Â«Pillow talk BestiaryÂ», Norsk Billedhoggerforening, Oslo; Â«GRIPPÂ», Tenthaus, Oslo; Â«Pattern DrillÂ», Hacienda, Zurich. As part of the artist duo Trollkrem she developed several collaborative projects with Tor Erik BÃ¸e spanning over a five-year period, including; Â«SoppenÂ» in Ekebergparken, Oslo, Â«TROLLKREM // FLESHYÂ» at Fotogal- leriet, Oslo and Â«AlienationÂ» at Momentum 9, Moss. Upcoming projects by Bringaker includes a public sculpture to be temporarily placed at Eidsvoll plass, in front of the Parliament building in Oslo, this summer, a two person exhibition with Ingrid Eggen at Sandefjord Kunstforening in the fall, and a solo exhibition at Akershus Kunstsenter, LillestrÃ¸m next year.
Mikael Ãye Hegnar (born 1984, Oslo) lives and works in Oslo and is a graduate of Oslo National Academy of the Arts. Recent exhibitions include Â«Old TreeÂ», Hordaland Kunstnersenter, Bergen; Â«On GraftageÂ», 1857 in Solvang Allotment Gardens, Oslo; Â«SelflessnessÂ», 1857 at Kunstnernes Hus, Oslo; Â«Garderoben, Kristiansand Kunsthall, Kristiansand; Â«MNi- kael â benspennÂ», Kunstnerforbundet, Oslo; Â«Tegnebiennalen 2016: SKISSENÂ», LNM, Oslo; Â«Neolithic GraffitiÂ», QB Gallery, Oslo; Â«BlottoÂ» Galleri BOA, Oslo. Upcoming exhibitions include a solo exhibition at Elephant Kunsthall, Lille- hammer.
ClÃ©mence de La Tour du Pin (born 1986, Roanne) lives and works in Paris and Rotterdam. She is a previous participant of De Ateliers, Amsterdam and MSA^ The Mountain School of Arts, Los Angeles. Recent solo exhibitions include Â«Once a Closely Guarded SecretÂ», De Ateliers, Amsterdam; Â«Gridded WhiffÂ», In Extenso, Clermont-Ferrand; Â«Architecture of TessÂ», 1857, Oslo. Recent group- and two person exhibitions include Â«HinkypunkÂ», Billytown, The Hague; Â«Digital GothikÂ», CAC â Synagogue de Delme; Â«HUNGERÂ», Dortmunder Kunstverein, Germany; and Â«Co-Workers â Artist as NetworkÂ», MusÃ©e dâArt Moderne de Paris, Paris. Later this year she will be a resident at CitÃ© Internationale des Arts in Paris.
Martin SÃ¦ther (born 1986, Lillehammer) lives and works in Oslo. SÃ¦ther completed his MFA at Oslo National Academy of the Arts, which included a one-year exchange at Akademie der Bildenden KÃ¼nste, Wienna. Current and recent exhibi- tions include Â«RuteÂ» at Oppland Kunstsenter, Lillehammer; Â«herfraÂ» at Galleri Opdahl, Stavanger; Â«ToileÂ» at UKS, Oslo; Â«Hydra SparklingÂ» at AGGIS, Wienna; Â«PostÂ» at Destinyâs Atelier, Oslo; Â«Maleriets letthetÂ» at Kunstnerforbundet, Oslo; Â«(b. 1986)Â» at Archipelago/Hordaland Kunstsenter, Bergen; Â«BlickkontaktÂ», Spreez, MÃ¼nchen. Upcoming exhibitions include the opening exhibition of the National Museum in Oslo.
11 July 2020
Here we are, five months into the pandemic. Artists are suffering, art gallery sales have slowed to a crawl. Many artists are having financial problems, due to poor sales. Some artists are sinking into depression.
I have switched to online sales for the most part. I haven’t given up. I spend more time and energy on marketing my art online than I used to. I sell a lot of tiny and fun paintings now. Easy to buy and easy to send through the regular mail. I am also selling some larger paintings with layaway agreements. I ship the painting after it is paid for. This works out well for several collectors. Many times the little paintings spark interest later in larger more serious work.
I have prepared myself for online sales and shipping for the long term if necessary. I have purchased a variety of shipping boxes for paintings in different sizes, lots of shipping tape, and opened a FedEx account, so they pick up my paintings at my studio door to ship, keeping that chore safe for me. It is easy to get paintings out to collectors and they receive them quickly.
I believe being a real person online is all important now. Good communication, kindness and gratitude, interesting stories, professional standards, and interest in otherâs lives go a long way for staying in business. Positive attitude means everything. Failure is never an option.
More musings for artists and collectors to comeâ¦â¦
Lindaâs Tuna Melts
4 soft tortillas
1 large pouch of tuna, drained
1 diced tomato
3 T mayo
3 T pickle relish
4 sliced sharp cheddar cheese
1 can French Fried Onions
1 sheet pan
Combine tuna, mayo, relish, tomatoes, salt/pepper
Spray pan with Pam. Place tortillas on pan. Top with tuna mixture. Spread evenly. Top with cheese. Top with onions. Bake at 375 until toasted and cheese is bubbly, about 20-30 minutes.
11 July 2020
PLEASE PRACTICE SOCIAL DISTANCING AND STAY SAFE. #markschwartzshoes,#style#boots#shoeaddict,#shoelover#highheels#rogervivier,#manoloblahnik,#jimmychoo,#christianlouboutin#andywarhol,#sergiorossi www.highheeledart.com
11 July 2020What’s Up?
Several days a week I receive e-mails like this:
I just got some new (fill-in-the-blank) gear. I love the blog. I learn so much. I have been visiting every day for (fill-in-the-blank) years.
Thanks for your kind words. Congrats on the new gear. Be careful not to drop it! Did you [...]
11 July 2020domi_digitalasks: "I need to get something cleared up. What is the biggest reason that pro artists tell me to draw from life? My opinion is, it's to get a sense for 3d space, and therefore placement of objects in that space. I've drawn from life before, but as a beginner it was really overwhelming. I drew still objects, but I can't even imagine how hard it is to draw a moving subject."Answer: Yes, you're right. Translating 3D space to a 2D piece of paper is a cognitive skill that you develop while drawing from life. Does that skill make you better at creating a sense of solid 3D form or a feeling of depth when you draw from your imagination? I don't know, but I suspect it does.Also, as you suggest, when you draw a moving object, you develop your speed of execution. You'll be able to paint a picture in a fraction of the time it would take you in the studio.But drawing from life is more than a method of developing your skills. It builds your visual vocabulary. It puts you in direct contact with visual effects that cameras can't see.There's no filter. There's nothing between you and the subject: no lens, no film, no sensor, no distortion, no picture frame, no style guide, no color picker, no caption, and best of all, no words. As long as you're looking at photos or other people's art, you remain in the cave looking at shadows on the wall.
Drawing by A. Menzel, 1902
Profile study of a man with
sketching block and pencilsDrawings done from life by artists from centuries ago somehow transcend the stylistic mould of their times.Finally, it's a powerful experience on its own terms that makes you feel more alive and connected. When you draw or paint from life, you become very aware that everything is moving and changing: the sunlight moves, flowers fade, and the tide comes in. It's always a good thing to get in touch with the dynamic universe.
11 July 2020
" I never paint dreams or nightmares. I paint my own reality."
- Frida Kahlo
I find this abstract landscape painting to be dark ,mysterious, brooding and quite fascinating! The creepy character in the bottom right is a photo I took of a giant paper mache sculpture ( I found him absolutely hilarious)!! He was hanging from the ceiling of an outdoor mall in Sedona (even more hilarious)!! I love using the photos I take as collage material in my paintings.They always take me on a journey I would never have dreamed of!! Painted with acrylic, charcoal, ink stick and copies of my b&w photos. On a wood cradle board.
18"x14"x .75" Mixed Media Landscape on Wood Cradle Board/SOLD
View more of my work at http://tracylupanow.com/
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11 July 2020Today is Day #2 of the Resolution Exhibition, featuring over 30 talented Flickr artists and photographers! Today’s events are: -2pm slt – live performer Wolfie Starfire -3pm slt – live performer Jesie Janick For a list of artists and a complete live performer listing:: https://kultivatemagazine.com/resolution-exhibition/ slurl: http://maps.secondlife.com/secondlife/Water%20Haven/147/128/24
11 July 2020Mixed Media Collage on Wood Panel. Using Acrylic Painted Paper and Handmade Paper to design cheerful, textural collage. Wood Panel has natural wood sides 2" deep - ideal for hanging without framing or sturdy enough to place standing on windowsill or bookshelf.
8"x8"x2"Collage on Cradled Panel/Available
Check out ALL my work my work athttp://pamelalordiart.com
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